the location.
Monday, March 29, 2010
Sunday, March 28, 2010
Pokemon Shiny Gold Cheats Gameshark Vba
Wednesday, March 31, at 21, 'The Tragedy of a Ridiculous Man', by Bernard Bertolucci
OFF Wednesday
Wednesday, March 31, at 21
Tragedy of a Ridiculous Man
by Bernardo Bertolucci - Italy, 1981 - 110 '
fourth and final date for the review of Wednesday Off Space dedicated to the figure of Ugo Tognazzi , the great Italian actor in 2010 for use in the twenty years after his death.
After 'Monsters' by Dino Risi, 'La vita agra' Carlo Lizzani and 'La grande bouffe' Marco Ferreri, the cycle ends with 'The Tragedy of a Ridiculous Man' movies for the consecration Tognazzi, with the which won the Palme d'Or for Best Actor at the Cannes Film Festival, and that the final award to the ranks the largest and most recognized actors in Europe. A test of enormous thickness, for a film of lesser known but perhaps more successful than Bernardo Bertolucci.
A First Spaggiari, dairy industry of the Lower Valley, is asking for the ransom of his son kidnapped by a group of terrorists, a billion, and when the child is given up for dead, Spaggiari fraudulent devises a plan to save the dairy and utopian brink of bankruptcy. The latest film by Bernardo. Bertolucci's Italian environment before Stealing (1996) is full of oxymorons: is a detective story without explanation, is a film about terrorism, where terrorists are invisible, it is painful but humorous moments of course, fractures ironic, outrageous gusts of wind.
Saturday, March 27, 2010
Friday, March 26, 2010
Thursday, March 25, 2010
What's So Special About Shiny Pokemon
Saturday 27 and Sunday, March 28, 'The very happy hour', Company Noninerenti
Saturday 27 and Sunday, March 28 - 21 hours
Saturday 27 and Sunday, March 28 - 21 hours
Company Noninerenti has
THE VERY HAPPY HOUR
freely taken from The Bacchae of Euripides
with Francesca Franchini, Giorgia Poletto, Eleonora Panizzo, Alessio Navarra, Massimo Rossetto
director Lorenzo Marangoni
In conjunction with the World Day of theater, set their own Saturday, March 27, 2010 season resumes Space Off: after the first three calendar appointments, we continue with a show once a young emerging companies, Noninerenti, Padua. 'The very happy hour ' scheduled at Area Off Saturday 27 and Sunday, March 28, is an absolute debut.
An initial study of the work, lasting about fifteen minutes, Bacanti taken from Euripides, was presented at the end of the twelfth Festival Theatre Directed by Fantasio Piccoli, in Trent, in December . The festival jury has awarded the company's director Lorenzo Marangoni the third prize and Off to Space presents the work complete.
" These Bacchae do not shed, do not prepare in any revolution - the director says on his show Maragoni -. But we still talk about wine, "there is no other remedy of their penis," as stated in the original text of Euripides. Our Bacchae are unforgiving and straight on their way, because there is no other way. Our Pentheus is the boy too young to port to the party, bored with the power of himself. Begin the holiday that could be a community of family, and roles, and freedom. What could be the happiest hours, or turn forever into its opposite.
attempt, the challenge was of undermine a classic author , putting it into play from the point of view of construction of the scene, characters, text and spoken word at the same time without sacrificing anything in the objectives that we Bacchae seemed to see, nothing in the universe of content, relationships, meanings of the work is so rich. In practice, the work had the objective of trying to force the text, through a research and improvisation in which teamwork was essential tool, to push the limit and force it, but try to never exceed : an image for a word, a look for a monologue, a transfiguration of the scene, the choir, narration, in which, however, remain recognizable even sharper and the Bacchae, Pentheus, Cadmus, and the clear message of the author. The goal was to get to leave the essential meanings, relationships, already alive and well in the theater of Euripides and society of two thousand and five hundred years ago, that we, in 2009, we could not do without note to still have him.
Noninerenti is a young company of Padua. The director, Lorenzo Marangoni wins third prize at the XII International Festival of Theatre Royal Fantasio Piccoli , with its original reinterpretation of Euripides' Bacchae. In 2008 and 2009, the Company Noninerenti was reported to Reality Theatre Academy Prize for Young Nico Pepe in Udine.
Entrance 8 €
tasting offered by The Wine Shop Vis
Reduced € 6 (students, school students of theater, members Cassa Rurale di Trento, QT Card)
Subscribe to 4 performances: 24 €
Info and reservations: 340 689 56 13 - off@trentospettacoli.it
Monday, March 22, 2010
Fable 2 How To Getfurniture
Wednesday, March 24, at 21, 'La grande bouffe', by Marco Ferreri
OFFmercoledì
Wednesday, March 24 - 21 hours
La Grande Bouffe Marco Ferreri - Italy, 1973 - 130 '
Third meeting for the review of Wednesday Off Space dedicated to the figure of Ugo Tognazzi, Italian actor of great use in 2010 in the twenty years after his death.
After 'Monsters' by Dino Risi, and 'La vita agra' Lizzani of Charles, the third film is directed by more than any other was for a steady partner Ugo Tognazzi, almost an alter-ego. Marco Ferreri Tognazzi working with since the early sixties, at the time of 'The Queen Bee,' de 'The woman monkey', 'The audience', until you reach 'La grande bouffe', a true manifesto of cinema grotesque and satirical Ferreri, made with a cast of 'exception, composed of the same Tognazzi, alongside Marcello Mastroianni, Michel Piccoli and Philippe Noiret. Despite the very high intellectual level, in theory and practice, the film was panned by most critics, blatantly booed at the Cannes Film Festival and heavily edited by censors.
Ugo is a host, a TV producer Michel, Marcello a pilot, a magistrate Philippe. The four are friends and have created a sort of club of connoisseurs. I decided to commit suicide by eating, getting rid of a life that seems to have no purpose, goes to the house of Philippe, just outside Paris, where he had once stayed Boileau. Immediately begin the disproportionate and succulent meals. Meanwhile Marcello invites prostitutes, but they leave the house almost immediately, adversely affected by the apathy and indifference of the guests. A teacher, who arrived to show their students the lime Boileau, was invited to join the group and accepts the invitation, seeing the whole story. Meanwhile, the tragedy is taking place. Marcello, who fell asleep at night in the garden in a Bugatti car, dies frozen. Michel died in an attempt to get rid of intestinal gas. Ugo lost their lives because of the contractions of digestion impossible. Philippe is death, eating again, among the howls of the dogs from the butcher and the waiters who still bear food. The next film
Wednesday, March 31 - 21 hours
Tragedy of a Ridiculous Man
by Bernardo Bertolucci - Italy, 1981 - 110 ' 
OFFmercoledì
Wednesday, March 24 - 21 hours
La Grande Bouffe Marco Ferreri - Italy, 1973 - 130 '
Third meeting for the review of Wednesday Off Space dedicated to the figure of Ugo Tognazzi, Italian actor of great use in 2010 in the twenty years after his death.
After 'Monsters' by Dino Risi, and 'La vita agra' Lizzani of Charles, the third film is directed by more than any other was for a steady partner Ugo Tognazzi, almost an alter-ego. Marco Ferreri Tognazzi working with since the early sixties, at the time of 'The Queen Bee,' de 'The woman monkey', 'The audience', until you reach 'La grande bouffe', a true manifesto of cinema grotesque and satirical Ferreri, made with a cast of 'exception, composed of the same Tognazzi, alongside Marcello Mastroianni, Michel Piccoli and Philippe Noiret. Despite the very high intellectual level, in theory and practice, the film was panned by most critics, blatantly booed at the Cannes Film Festival and heavily edited by censors.
Ugo is a host, a TV producer Michel, Marcello a pilot, a magistrate Philippe. The four are friends and have created a sort of club of connoisseurs. I decided to commit suicide by eating, getting rid of a life that seems to have no purpose, goes to the house of Philippe, just outside Paris, where he had once stayed Boileau. Immediately begin the disproportionate and succulent meals. Meanwhile Marcello invites prostitutes, but they leave the house almost immediately, adversely affected by the apathy and indifference of the guests. A teacher, who arrived to show their students the lime Boileau, was invited to join the group and accepts the invitation, seeing the whole story. Meanwhile, the tragedy is taking place. Marcello, who fell asleep at night in the garden in a Bugatti car, dies frozen. Michel died in an attempt to get rid of intestinal gas. Ugo lost their lives because of the contractions of digestion impossible. Philippe is death, eating again, among the howls of the dogs from the butcher and the waiters who still bear food. The next film
Wednesday, March 31 - 21 hours
Tragedy of a Ridiculous Man
by Bernardo Bertolucci - Italy, 1981 - 110 '
Monday, March 15, 2010
What To Wear To An Interview At Hard Rock Cafe
Wednesday, March 17, at 21, 'La vita agra', Carlo Lizzani
OFF Wednesday
Wednesday, March 17 - 21 hours
SpazioOFF - Via Venezia 5 - Trento
Input 3 €
SpazioOFF - Via Venezia 5 - Trento
Input 3 €
LA VITA AGRA
Carlo Lizzani - Italy, 1964 - 100 '
second meeting Wednesday to review the Off Space dedicated to the figure of Ugo Tognazzi, Italian actor of great use in 2010 in the twenty years from scomparsa.Dopo' Monsters' Dino Risi, comes 'the bitter life' by Carlo Lizzani. Based on the book by Luciano Bianciardi, the film is another fresco of Italy in the sixties. Cultural services officer of a large mine, Luciano Bianchi was fired. To avenge himself and the miners perished in a major disaster, Luciano went to Milan decided to blow up with dynamite the impressive skyscraper which houses the mining company. Here he meets Anna, a young correspondent for a left-wing newspaper, which falls in love. In order to live, Luciano adapts to being a translator for a publishing house, but will his luck inserting brilliantly in the production of advertising slogans. L his genius in this work, however, that he despises, the good will be worth taking at the same company that had fired. The old revenge is now forgotten and with it the wife and son that Luciano has left the province. With Anna he intends to build a comfortable middle-class life, but love between the two fades with the wealth achieved. Luciano at the station says goodbye to Anna and immediately after granting the wife and son, arrived in Milan to settle there permanently.
The next film
Wednesday, March 24 - 21 hours
La Grande Bouffe
Marco Ferreri - Italy, 1973 - 130 '
Thursday, March 11, 2010
Can You Tell Me Some Facts On Sharks?
Saturday 13 and Sunday, March 14, 'Woof! A melòpunk ', company Blusclint
Saturday 13 and Sunday, March 14 - 21 hours
Blusclint Company presents
WOOF! a melòpunk
by and starring Paul Faroni
director Emanuele Crotti
assistance and technical director Massimo Canepa
Saturday 13 and Sunday, March 14 - 21 hours Blusclint Company presents
WOOF! a melòpunk
by and starring Paul Faroni
director Emanuele Crotti
assistance and technical director Massimo Canepa
Resumes Area Off season 2010: after the first calendar appointments ('Chekhov # 01', 'White Nights 'and the three nights of sold-out' Chicken & free band '), coming off a young company in Piedmont, with a monologue of great impact and effect to the public via the small theater of Venice. On stage for two nights, Saturday 13 and Sunday 14 March at 21, 'Woof! A melòpunk , by and with Paul Faron, and directed by Emanuele Crotti.
A story of love and death in the colors of a rickety cartoon mixed with scraps of an old film noir. In a city inspector unfortunate investigates a series of violent murders. In a suburban boy waiting below the window of the woman he loves, armed with a baseball bat. He waits for his beloved leaves the shelter warm and safe home and join him in the night. They are the "Wolf" and "Sheep", lovers bound together by a strange game of seduction, separated by more than a fence, condemned to chase without ever understanding who is the prey and who is the hunter.
Blusclint born from the meeting, in 2004, between Paul and Faroni Massimo Canepa. The first graduates in the School of Dramatic Art director Paolo Grassi, but it is also an actor and author, the second driver stage and stage director, but also a PhD in philosophy, aesthetics. They meet at the monologue with your lips without saying for whom Massimo Canepa is responsible for lights. To Woof! A melòpunk collaboration deepens touching, thanks to the collaboration, directed by Emanuele Crotti, dramatic and scenic issues. They take care of it with text and direction of the project Saturday evening (with love from the province), where the first twenty minutes will be rewarded with a special mention to New Sensitivity in 2008 and whose full version is chosen, among several other proposals, from the School of Dramatic Arts Paolo Grassi, to debut in September of that year, within the review forecast at the Teatro Verdi in Milan.
Blusclint The texts come from the pen of Paul Faroni that shamelessly, draws inspiration from her own experience. All with lucid detachment in order to distill some truth from personal experience to share with the public without being a fool that you own business in front of a paying audience. The separation is achieved through irony, the creation of masks, telling a story. The characters in each tread the scene, are each marked by a clear writing style: surreal, poetic, realistic. The themes - love, death and the journey that unites them - are addressed in key real, dreamlike, metaphoric. A
Blusclint like poetry in the truest sense of the word, which has its roots in the greek poieo verb: to do. Consequently, the draft text, obtained by the repeated comparison of the written word and stage action: To avoid static or sterile literary lyricism. No more of the staging, the actors' personal contribution to the action stage, by making this practice by giving it life, color and thickness. Clarity sought a refund of experienced and made the trip - or is achieved, even - in it, is at the root of Blusclint.
Paul Faroni
Born in Casale Monferrato in 1975, he attended the Municipal School of Drama Paolo Grassi in Milan in 2003 earning a degree in theater direction. During his training he studied with teachers and directors such as Kuniaki Ida Lorenzo Loris. She has attended workshops with Paul Rossi, Maria Consagra, Roberta Carreri Torghele Wethal and Odin Teatret. He has worked as assistant director and stage technician with the company Atir Serena Sinigaglia from June to December 2003 for the show Rose the Red, was staged at the Teatro Verdi in Milan. From December 2004 to January 2005 was assistant director of the show for Small Sergio Fantoni crimes marital E. Emanuel Schmitt Andrea Jonasson and Gianpiero Bianchi, who debuted at the scene of Urbino in January 2004. E 'interpreter and author of the monologue with your lips without telling published by The balloon Cosenza. Collaborated since 2004 with the company BabyGang as an assistant and actor. In 2007 he was player or players for the director and actor Paul Rossi.
In 2008 he won the prize for the best Pierluigi Delucchi Dagnino text to the National Festival of Cabaret in Turin, won the critics' prize at the national festival of cabaret Anomalous However, it is the young actor to director Francesca Cavallo in the project on Hamlet won a special mention at the Director's Fantasio Piccoli. In 2009 he co-starred alongside Paolo Rossi in the show now on the company BabyGang Milan. E 'in the group of comedians who performs Tuesday night at the Derby Theatre, whose artistic director is Teocoli Teo.
Massimo Canepa
Born in 1977, graduated in Philosophy Aesthetics at the University of Pavia, he received his Ph.D. in Logos and representation. Interdisciplinary studies of literature, aesthetics, arts and entertainment section: Innovation and tradition. Legacy of the ancient and the modern contemporary at the University of University of Siena. Scholar F. Nietzsche, E. Jünger, G. Bataille, J.-L. Nancy, deals with issues concerning the staging of the way and visiting lecturer at the University of Pavia .. His forthcoming monograph on the philosophical drama of F. Nietzsche.
parallel to search for more than fifteen years working in theater: first as a stagehand, stage manager and then as a philosophical counselor. For more than a decade working with the Foundation for the New Dance Theatre of Turin, in particular to the preparation and holding of "Vignaledanza. International Festival of Dance & Arts integration "- to which, on the occasion of the 30th edition, was made an honorary citizen - and the shows promoted by the "Fondazione CRT" in the "Diderot Project". For several years he has woven an intense artistic collaboration with the author and actor Paul Faroni - with whom he created the company Blusclint - and the Compagnia di Milano BabyGang - participating in the shows Rats (2006), The marriage of Don Quijote (2007), and project lights Bohemia, winner of the New Sensibility 2007/2008 and now on the scene as from now on, "starring Paul Rossi. It is one of the authors of the Manifesto for a New National Theatre of Paolo Rossi, www.ateatro.org published on the site.
Saturday 13 and Sunday, March 14 - 21 hours
Company Blusclint
presents WOOF! a melòpunk
Entrance 8 €
tasting offered by The Wine Shop Vis
Reduced
€ 6 (students, school students of theater, members Cassa Rurale di Trento, QT Card)
Subscribe to 4 performances: 16 €
Info Reservations:
340 689 56 13 - off@trentospettacoli.it
www.spaziooff.com
Blusclint born from the meeting, in 2004, between Paul and Faroni Massimo Canepa. The first graduates in the School of Dramatic Art director Paolo Grassi, but it is also an actor and author, the second driver stage and stage director, but also a PhD in philosophy, aesthetics. They meet at the monologue with your lips without saying for whom Massimo Canepa is responsible for lights. To Woof! A melòpunk collaboration deepens touching, thanks to the collaboration, directed by Emanuele Crotti, dramatic and scenic issues. They take care of it with text and direction of the project Saturday evening (with love from the province), where the first twenty minutes will be rewarded with a special mention to New Sensitivity in 2008 and whose full version is chosen, among several other proposals, from the School of Dramatic Arts Paolo Grassi, to debut in September of that year, within the review forecast at the Teatro Verdi in Milan.
Blusclint The texts come from the pen of Paul Faroni that shamelessly, draws inspiration from her own experience. All with lucid detachment in order to distill some truth from personal experience to share with the public without being a fool that you own business in front of a paying audience. The separation is achieved through irony, the creation of masks, telling a story. The characters in each tread the scene, are each marked by a clear writing style: surreal, poetic, realistic. The themes - love, death and the journey that unites them - are addressed in key real, dreamlike, metaphoric. A
Blusclint like poetry in the truest sense of the word, which has its roots in the greek poieo verb: to do. Consequently, the draft text, obtained by the repeated comparison of the written word and stage action: To avoid static or sterile literary lyricism. No more of the staging, the actors' personal contribution to the action stage, by making this practice by giving it life, color and thickness. Clarity sought a refund of experienced and made the trip - or is achieved, even - in it, is at the root of Blusclint.
Paul Faroni
Born in Casale Monferrato in 1975, he attended the Municipal School of Drama Paolo Grassi in Milan in 2003 earning a degree in theater direction. During his training he studied with teachers and directors such as Kuniaki Ida Lorenzo Loris. She has attended workshops with Paul Rossi, Maria Consagra, Roberta Carreri Torghele Wethal and Odin Teatret. He has worked as assistant director and stage technician with the company Atir Serena Sinigaglia from June to December 2003 for the show Rose the Red, was staged at the Teatro Verdi in Milan. From December 2004 to January 2005 was assistant director of the show for Small Sergio Fantoni crimes marital E. Emanuel Schmitt Andrea Jonasson and Gianpiero Bianchi, who debuted at the scene of Urbino in January 2004. E 'interpreter and author of the monologue with your lips without telling published by The balloon Cosenza. Collaborated since 2004 with the company BabyGang as an assistant and actor. In 2007 he was player or players for the director and actor Paul Rossi.
In 2008 he won the prize for the best Pierluigi Delucchi Dagnino text to the National Festival of Cabaret in Turin, won the critics' prize at the national festival of cabaret Anomalous However, it is the young actor to director Francesca Cavallo in the project on Hamlet won a special mention at the Director's Fantasio Piccoli. In 2009 he co-starred alongside Paolo Rossi in the show now on the company BabyGang Milan. E 'in the group of comedians who performs Tuesday night at the Derby Theatre, whose artistic director is Teocoli Teo.
Massimo Canepa
Born in 1977, graduated in Philosophy Aesthetics at the University of Pavia, he received his Ph.D. in Logos and representation. Interdisciplinary studies of literature, aesthetics, arts and entertainment section: Innovation and tradition. Legacy of the ancient and the modern contemporary at the University of University of Siena. Scholar F. Nietzsche, E. Jünger, G. Bataille, J.-L. Nancy, deals with issues concerning the staging of the way and visiting lecturer at the University of Pavia .. His forthcoming monograph on the philosophical drama of F. Nietzsche.
parallel to search for more than fifteen years working in theater: first as a stagehand, stage manager and then as a philosophical counselor. For more than a decade working with the Foundation for the New Dance Theatre of Turin, in particular to the preparation and holding of "Vignaledanza. International Festival of Dance & Arts integration "- to which, on the occasion of the 30th edition, was made an honorary citizen - and the shows promoted by the "Fondazione CRT" in the "Diderot Project". For several years he has woven an intense artistic collaboration with the author and actor Paul Faroni - with whom he created the company Blusclint - and the Compagnia di Milano BabyGang - participating in the shows Rats (2006), The marriage of Don Quijote (2007), and project lights Bohemia, winner of the New Sensibility 2007/2008 and now on the scene as from now on, "starring Paul Rossi. It is one of the authors of the Manifesto for a New National Theatre of Paolo Rossi, www.ateatro.org published on the site.
Saturday 13 and Sunday, March 14 - 21 hours
Company Blusclint
presents WOOF! a melòpunk
Entrance 8 €
tasting offered by The Wine Shop Vis
Reduced
€ 6 (students, school students of theater, members Cassa Rurale di Trento, QT Card)
Subscribe to 4 performances: 16 €
Info Reservations:
340 689 56 13 - off@trentospettacoli.it
www.spaziooff.com
Friday, March 5, 2010
Pentax K-m Reviews Cons And Pros
Wednesday, March 10, at 21,' Monsters', Dino Risi
OFF Wednesday 
Wednesday, March 10 - 21 hours
Monsters
Dino Risi - Italy, 1963-87 '
After the first exhibition dedicated to the theme of gender violence, Wednesdays Area Off cycle back with a more 'light', all focused on the figure of Ugo Tognazzi, Italian actor of great use in 2010 when the winds scomparsa.Quattro very different film from years of each other and four other directors for highlight the qualities of a giant of Italian cinema. It begins with 'Monsters' by Dino Risi, sardonic and cynical masterpiece on Italy after World War II, with Toganzzi and Vittorio Gassman, and then continue with 'the bitter life' by Carlo Lizzani, 'La grande bouffe', by Marco Ferreri and finally 'The Tragedy of a Ridiculous Man' by Bernardo Bertolucci, film with which he could Tognazzi, almost at the end of his career, to win the Palme d'Or for Best Actor at the Cannes Film Festival.
The next film
Wednesday, March 17 - 21 hours
LA VITA AGRA
Carlo Lizzani - Italy, 1964-100 '
Monday, March 1, 2010
Wedding Albums Sales Letter
Wednesday, March 3, at 21, 'The Antonia', by Marleen Gorris
OFFmercoledì
Wednesday, March 3 - 21 hours
TREE ANTONIA Marleen Gorris
Holland, 1995 - 102 '
last appointment to the Area Off Street Venice to Trento for series of five films on the theme of domestic violence and gender in anticipation of the debut of the show ' Viola 'in the program Theatre Cuminetti Friday, March 5, directed by Mirko Corradini, with Maura Pettorruso, Alessio Dalla Costa and Cynthia Scott.
After 'I give you my eyes', 'The Color Purple', 'Martha' and 'The Story of Qiu Ju', the cycle ends in a few days after the debut of the show with 'The Antonia ' , Marleen Gorris, Oscar for Best Foreign Language Film in 1996. The charming and
energetic Antonia (Willeke van Ammerlooy), widowed after the Second World War, he returned with her daughter Danielle (Els Dotterman) to his Catholic village in the old house down and leave them an inheritance from his mother, whose death just in time to attend. With the help of Danielle and Willem factor "stupid" (Jan Steen), began to cultivate the rugged terrain looking with skepticism and irony, the daily life of small rural communities that host his conformist offspring: by Danielle at Thérèse ( Veerle van Overloop) Sarah (Thyrza Ravesteijn), over nearly fifty years and so we see the priest sexual abuse, rape suffered from delayed Deedee (Marina De Graaf), the follies of "Mad Madonna" howling at the moon the man refused because of his despair when she fell in love, and those of bed, took the frenzy to children in profusion so as to die, the marriage proposal of Boer Bas (Jan Decleir), a widower and father of three sons that would bring the fire, but over which creates a casual living, the bloody settling of scores collective that draws them but not delete them , intense friendship with Crooked Finger (Mil Seghers), pessimistic and misanthropic philosopher who quotes Nietzsche, Schopenhauer, and that, after examining her daughter and her nieces, exhausts its mission taking off life ...
Wednesday, March 3 - 21 hours
TREE ANTONIA Marleen Gorris
Holland, 1995 - 102 '
last appointment to the Area Off Street Venice to Trento for series of five films on the theme of domestic violence and gender in anticipation of the debut of the show ' Viola 'in the program Theatre Cuminetti Friday, March 5, directed by Mirko Corradini, with Maura Pettorruso, Alessio Dalla Costa and Cynthia Scott.
After 'I give you my eyes', 'The Color Purple', 'Martha' and 'The Story of Qiu Ju', the cycle ends in a few days after the debut of the show with 'The Antonia ' , Marleen Gorris, Oscar for Best Foreign Language Film in 1996. The charming and
energetic Antonia (Willeke van Ammerlooy), widowed after the Second World War, he returned with her daughter Danielle (Els Dotterman) to his Catholic village in the old house down and leave them an inheritance from his mother, whose death just in time to attend. With the help of Danielle and Willem factor "stupid" (Jan Steen), began to cultivate the rugged terrain looking with skepticism and irony, the daily life of small rural communities that host his conformist offspring: by Danielle at Thérèse ( Veerle van Overloop) Sarah (Thyrza Ravesteijn), over nearly fifty years and so we see the priest sexual abuse, rape suffered from delayed Deedee (Marina De Graaf), the follies of "Mad Madonna" howling at the moon the man refused because of his despair when she fell in love, and those of bed, took the frenzy to children in profusion so as to die, the marriage proposal of Boer Bas (Jan Decleir), a widower and father of three sons that would bring the fire, but over which creates a casual living, the bloody settling of scores collective that draws them but not delete them , intense friendship with Crooked Finger (Mil Seghers), pessimistic and misanthropic philosopher who quotes Nietzsche, Schopenhauer, and that, after examining her daughter and her nieces, exhausts its mission taking off life ...
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