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the crisp vegetables, cheese and pepper Mezzemaniche Gragnano, Strangolapreti late twenties, Morbidelli crispy artichokes with black truffle and mint.

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The daily diary

of this new adventure:

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Fri 21, Sat 22, Sun May 23, at 21, 'Viola'

TrentoSpettacoli
presents a production
SpazioOff / EstroTeatro / EmitFlesti

Friday 21, Saturday 22 and Sunday, May 23

21 hours

PURPLE

Drama Maura Pettorruso
Directed by Mirko Corradini
Pettorruso with Maura, Alessio Dalla Costa, Cinzia Scotton

Area Off The 2010 season of Trent closes with 'Purple', co-production 'home' SpazioOff / EstroTeatro / EmitFlesti, which debuted on March 5 at the theater season Cuminetti TrentoOltreorganizzata Centre Santa Chiara and TeatriPossibili Trento. After the debut, the show returns for three nights in Off, Friday 21, Saturday 22 and Sunday, May 23.

A man and woman, husband and wife, living in an apartment like many others.
An apartment may be ours.
Accurate. Perfect. Nothing shines, everything is blurred. Yet they feel
screams, weird shots, escapes at night.
We can choose to see, understand and do nothing.
We can choose to see, understand and open our door.

"This story is not reassuring, it is a cry for help. I hope that someone will hear."

TrentoSpettacoli is the result of the union of three companies active for years in Trent. Off Area, and EstroTeatro EmitFlesti have joined together creating a single agency for the promotion, distribution and sale of their theatrical productions.

Area Off
Via Venezia 5 - Trento

Reduced admission € 8 € 6 (students, school students of theater, members Cassa Rurale di Trento, Qt Card)
tasting offered by The Wine Shop Vis

Info and reservations: 340 689 56 13 - off@trentospettacoli.it

Is Cervix High Or Low Before Period

Saturday 8 and Sunday, May 9, 'Ecce robot! Final Conflict ', directed by and starring Daniel Eardley

Saturday 8 and Sunday, May 9 - 21 hours

Amnesia Vivace and Consortium Ubusettete have

in collaboration with
Armunia Festival Etruscan Coast

ECCE ROBOT!
Final Conflict

by and with Daniele Timpano
original music by Michael Dear and Christmas Romulus
lighting design and narrator Marco Fumarola

Watch PROMO!

a special show with an artist as the Special Area Off Saturday 8 and Sunday, May 9. Daniele Timpano has come from Rome, one of the best talents of contemporary Italian theater, which already boasts collaborations with major, as well as the 'good press' Renato Palazzi, theater critic for Il Sole 24 Ore.

'Ecce Robot! C Ronach Conflict 'is a show about Mazinga Z and Grendizer generation . An actor recreates the story of an old Japanese cartoon. Freely inspired the work of Go Nagai (Goldorak author of, among others, Jeeg Robot, Space Robot, Robot Jet, Great Mazinger, Mazinger Z), the show recounts the heroic imagination in fragments of a generation raised in front of the TV ' Italy massacres, the kidnapping of Aldo Moro, the Red Brigades, the rise of Silvio Berlusconi and his television. Among
guide of the plots of individual episodes of the Japanese cartoons (with particular attention to the script of Mazinger Z) and historical reconstruction of an invasion (of the serial Nipponese in the private and public listings, but also that of television in our heads), the show is fun and self-critical account of a generation who, unaware of life in the years of lead, steel grew between robot

"Mazinger Viva! Let him see the children, so he will not make them stupid "

Marco Ferreri

Notes dramaturgy

I was a child, between the years' 70 and 80 when they arrived in Italy the "Notorious" Japanese cartoons. He called out to the invasion: the invasion yellow. In the beginning was Grendizer. "I saw a little boy sing it with great pride, almost with tears in his eyes," wrote an alarmed Silverio Corvisieri the columns of the Republic, about the famous piece of music that accompanied the opening credits of the program: "It becomes a rocket missile / circuits with a thousand valves / sprints between stars and goes ... ". In the beginning was Grendizer. But it was only the beginning. Soon would follow hundreds of Japanese animated television series low-cost "hurt", said the men, but also and above all "violent miseducating, kitsch, dangerous and incomprehensible "nothing more than biechissimi consumer products - or so they were defined by scores of parents fools, fools, intellectuals, opinion makers and silly fools sociologists of the time. The cartoon's most successful and most criticized, they were the kind of robotic, mostly focused on large mechanical automata pledged to defend the land from the enemy of the moment: the ritual climax of each episode of robot fighting good against the bad, with the inevitable destruction of the second. Started April 4, 1978 on the second national network of Grendizer, the invasion will continue for an infinite number of regional networks, in particular, gigantic, amazing abundance for the eighties (until 1990 the animated series broadcast in Italy will be over 350). The serial Nipponese were economically very convenient: there is nothing better to fill the schedules. It was also the Italy of the murder, the kidnapping of Aldo Moro, the Red Brigades and the rise of Silvio Berlusconi and his television, but I did not know it yet. I spent the first years, a bit 'like all my peers, in front of the TV from 5 to 7 hours a day. Unaware of being in the midst of the years of lead, lived his childhood in the steel robot.
sharp, violent, sexist, unfair, regardless of any consideration low educational (Also because it is often not originally intended for a range of viewers under 12, but adolescent) many of these cartoons, which on paper would seem to be (and are indeed part) of the simple products of mass culture, myths and models have been rather reference, during inspiration, trauma, growth or vice versa rimbecillimento for an entire generation.
morally harmful? Violent? Dangerous? Maybe. Besides, they were our real parents. All I know, and I feel it is started - for better or for worse - in front of the TV.

Daniele Timpano

Daniele Timpano is one of the most innovative and promising Italian artists and performers. Him Renato Palazzi, theater critic for Il Sole 24 Ore wrote: " Among the characters which I think we will hear more and more in the near future is probably the thirty-one Daniel Eardley, an anomalous presence, bizarre . Amnesia Vivace founder of the group, was a finalist for the Premio Scenario 2005 with the show Dux in the box. 'Ecce robot! 'is premiered at the Festival Theatre of the Walls of Padua and then housed in various national festivals including Short Theatre of Rome, Bassano Del Grappa OperaEstate Festival and Inequilibrio Castiglioncello.

Saturday 8 and Sunday, May 9 - 21 hours

ECCE ROBOT! Final Conflict

Entrance 8 €
tasting offered by The Wine Shop Vis

Reduced
€ 6 (students, school students of theater, members Cassa Rurale di Trento, QT Card)

Info and reservations:

340 689 56 13 - off@trentospettacoli.it

www.spaziooff.com

Foraminal Stenosis Migraine

Wednesday, May 5,' Cremaster 1 ', Matthew Barney

OFFmercoledì

From stage to painting,

PAINTING FROM THE SCREEN

in collaboration with Mart in Rovereto

Wednesday, May 5 - 21 hours

Cremaster 1

Matthew Barney, 1994

A cult movie, closer to video art and on film. Bjork's companion gave birth in 1994 to a real visual cycle, which is investigating the man and its manifestations through sounds and visions.

The Cremaster Cycle, the saga epic 'testicular muscle' (this is the famous translation of the word) is divided into five episodes that Barney wanted but did not meet the release of their numerical progression, but instead follow the following order: Cremaster 4 (1994), Cremaster 1 (1995), Cremaster 5 (1997), Cremaster 2 (1999), Cremaster 3 (2002). Certainly not coincidentally, the number sequence 4-1-5-2-3 has an obvious symmetry built around the number five in the center, which is also the sum of the pair of numbers to the right and left. But the game of combinations can still continue and build pyramids or series of opposing pairs always based on the number five, which corresponds to the classic plus pentapartizione in acts of ancient Greek tragedies. Like a great

genital metaphor, but without sexual intent, the saga Cremaster resolves his story exclusively on the basis of biological-organic, and a level of allegorical visions are always scientific references to the Treaty of andrology. There is no trace of eroticism or sensuality, while systematically explaining matters genital-chromosome project a hermaphrodite universe without repulsion for body fluids, orifices and cavernous bodies of any kind.

Removed all the phallic symbols and allusions to a level of eroticism, Barney focuses on scrotal alchemy, dark on mechanical properties of a muscle involuntary crimasterico the muscle, which act on the testicular contractions (close to the body in the gonads by the need to raise your basal body temperature for sperm production) and acts as a switch of the reproductive mechanism, and therefore chosen by Barney as a main element of his video work genital true cosmogony on the processes of sexual affirmation.